Determined to completely renovate the Evangelion universe, last year Anno Hideaki, its creator, embarked on a new tetralogy that made the most of the latest animation technologies and meant a new beginning, closer to his original desires. Evangelion 1.0, presented at Sitges'08, re-updated the series' first six episodes and Evangelion 2.0 continues the task with the following fourteen. Mari, a new pilot, joins the NERV crew to continue defending Tokyo-3 from the Angels' attacks as the "Third impact" approaches, a catastrophe that, if it occurred, would permanently change humanity's destiny.

After the second impact, all that remains of Japan is Tokyo-3, a city that's being attacked by giant creatures that seek to eradicate the human kind, called Angels. After not seeing his father for more than eight years, Shinji Ikari receives a phone call in which he is told to urgently come to the NERV Headquarters, an organization that deals with the destruction of the Angels through the use of giant mechs called Evas. Shinji's objective is to pilot the Eva Unit 01 while teaming up with the Eva Unit 00 pilot, Ayanami Rei.

In the earliest battles against the monstrous Angels, young Eva pilots Shinji and Rei were forced to carry humanity's hopes on their shoulders. Now, with the deadly onslaught of the Angels escalating and the apocalyptic Third Impact looming, Shinji and Rei find their burden shared by two new Eva pilots, the fiery Asuka and the mysterious Mari. Maneuvering their enormous Eva machines into combat, the four young souls fight desperately to save mankind from the heavens—but will they be able to save themselves?

Determined to completely renovate the Evangelion universe, last year Anno Hideaki, its creator, embarked on a new tetralogy that made the most of the latest animation technologies and meant a new beginning, closer to his original desires. Evangelion 1.0, presented at Sitges'08, re-updated the series' first six episodes and Evangelion 2.0 continues the task with the following fourteen. Mari, a new pilot, joins the NERV crew to continue defending Tokyo-3 from the Angels' attacks as the "Third impact" approaches, a catastrophe that, if it occurred, would permanently change humanity's destiny.

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14 years after third impact, Ikari Shinji awakens to a world he does not remember. He hasn't aged. Much of Earth is laid in ruins, Nerv has been dismantled, and people who he once protected have turned against him. Befriending the enigmatic Nagisa Kaworu, Shinji continues the fight against the angels and realizes the fighting is far from over, even when it could be against his former allies. The characters' struggles continue amidst the battles against the angels and each other, spiraling down to what could inevitably be the end of the world.

Fourteen years have passed since Third Impact, yet the Angels continue their attacks against mankind. Shinji Ikari is salvaged from Evangelion Unit-01 and finds that things have changed, but not for the better: the world has been devastated, his former allies from NERV have become hostile toward him, and Rei Ayanami, the girl Shinji risked everything for, is nowhere to be found. As he attempts to adjust to this strange new world, Shinji befriends the enigmatic Kaworu Nagisa. Together in their search for Rei, the pair learns the terrible truths behind the Angels, NERV, and the Evangelions. But a faint glimmer of hope remains for the two boys: a single opportunity to undo the mistakes of the past. Now the remnants of mankind are after them, the Angels race to stop them, and their old friends have declared them public enemy number one. With only Kaworu to support him and all the world against him, Shinji must fight for his one chance for redemption. But that may well mean finishing what he started — the end of the world.

The fourth and final movie of the Evangelion rebuild movie series.

Shinji Ikari is still adrift after losing his will to live, but the place he arrives at teaches him what it means to hope. Finally, the Instrumentality Project is set in motion and Wille make one last grueling stand to prevent the Final Impact.

Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that reworked ending but after production overruns became only the first half of the first episode of The End of Evangelion, with some minor differences. Over time, two newer director's cuts of Death were produced, each including new footage not seen in the series - these were called Death (True) and finally Death (True)^2. Note that despite containing clips from the series, Death (True)^2 & Rebirth should be seen after the series itself to be fully understood.

The end of the Neon Genesis Evangelion left many questions as to the fate of NERV, the Children, the Angels, and many other plot factors unanswered, unexplained, or otherwise hanging. To answer a legion of now befuddled Evangelion fans, Gainax remade the ending into a two-part movie known as Death and Rebirth which was to supersede episodes 25 and 26 of the television series, which then led to this movie, Death and Rebirth itself being recreated into part one of The End of Evangelion. It begins much in the same fashion, with the final Angel already having been defeated, and the current enemy switching to humanity itself as SEELE unleashes its own plan for the Evas and NERV... and indeed for the entire human race. What role will Shinji play in this ever-tense situation, as NERV gets chewed to pieces by SEELE's crack commandoes? Will Gendo's plan swallow up all of humanity? Will Hideaki Anno ever figure out how to end an anime? These questions and more will be answered in what looks to be the final installment of Evangelion. But at what price?

In the near future, probably in Japan, long after robots have been put to practical use, and not so long since human-type robots, or androids have appeared. Due to the Robot Ethical Committee, people take it for granted to treat robots as electronic appliances. However, because of their human appearance, except for the halos above their heads, some humans — called dori-kei (android-style) — are becoming too attracted to these androids, and this is causing new social problems.Rikuo has been taught to treat androids the way he does since he was a child. He does not think of androids as human beings, and uses them as useful tools. One day, he discovers that ominous words were recorded in home-android Sammy's activity log:"Are you enjoying the time of EVE?"Tracing her footsteps with his friend Masaki, they arrive at a strange cafe that has put up the slogan not to discriminate between human beings and androids.